Barry Harris Harmony Map

Explore how chromatic, whole-tone, diminished, sixth, and dominant chord structures connect.

The Chromatic Map

Start with all twelve notes, then see how they split into two whole-tone collections.


Click any note to explore the whole tone scales.

Two Whole-Tone Groups

The chromatic set divides into two symmetrical whole-tone groups. Combining notes from both groups produces the three diminished seventh structures.


Click any note to explore the diminished scales.

C Whole Tone

C♯ Whole Tone

Family of Dominants

Each diminished seventh chord connects to four dominant seventh chords. Use the group to hear related dominant sounds and their possible resolutions.


Select a diminished 7th chord to see its four dominant 7th children.

Starting Diminished Chords

Derived Chord Types

Major 6

Lower 2 adjacent notes

Minor 6

Raise 1 note

Dominant 7

Lower 1 note

Dominant 7â™­5

Shift 2 non-adjacent notes

Chord Paths

Compare two diminished-path explanations for each sixth and dominant chord type.